Digital And Cinema

Bogotá, September 10 to 14, and Manizales, September14 to 16

Audiovisual creative works comprising animation, film, video art, or micro-documentary, developed under the curatorial concept of this edition of the festival. Scheduled screenings will be held in theaters and alternative spaces.

The official film and digital selection for the 25th International Image Festival presents 45 audiovisual works from countries including Colombia, Argentina, Brazil, Mexico, Spain, Canada, and China. The programs explore artificial intelligence, extractivism, algorithmic memory, and socio-environmental crises.

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The works brought together in this edition explore different ways of relating to our present and to the marks it leaves behind. Emerging from diverse geographies and artistic languages, these proposals raise questions about what we remember, what we choose to preserve, and the possibilities of building new networks through shared experience. In this way, Cine(Y)Digital is conceived as a space for slowing down the gaze and reclaiming the potential of images as devices for thought, memory, and encounter.

On this occasion, we welcome Sobre Ruedas, an initiative based in Manizales committed to audiovisual creation and circulation throughout Colombia’s Coffee Region. Through its work, it has established itself as an active participant in the cultural scene of our city. Its participation expands the possibilities for encounters between audiovisual practices, territories, and communities, strengthening the networks that run throughout this edition of the Festival.

The Cine(Y)Digital program is part of the 25th International Image Festival and brings together a selection of works from 14 countries: Germany, Argentina, Austria, Brazil, Canada, Chile, China, Colombia, Cuba, Spain, Italy, Mexico, the United Kingdom, and the Dominican Republic. Through this geographical and aesthetic diversity, the section offers a journey across different ways of sensing, thinking about, and constructing images in the present.

Schedule & Venues

BOGOTA

CEFE (Centro Felicidad Chapinero): Calle 82 # 10-69.

Cinemateca de Bogotá: Carrera 3 No. 19 - 10.

Casa de la Cultura de Barrios Unidos: Carrera 29B # 66-51.

Canterbury Café: Carrera 71D # 3A - 37 Sur.

Cinemateca Sala Alterna UNAL: Av. Cra 30 # 45-3.

La Puerta Abierta: Carrera 21 # 39-24.

MANIZALES

Confa de La 50: Carrera 25 Calle 50.

2:00 p.m. to 5:00 p.m. every day.

Admission: Free entry for all screenings.

Memorias activas

Automatismo y psicosis (2026) - Federico Nieto.

Based on the saturation and collapse of content production on the internet, it exposes concerns about the extinction of humanity and the end of youth as a consequence of cognitive decline and semantic apocalypse, aggravated by the proliferation of large language models (LLMs) and the social engineering of platform capitalism.
Year: 2026 | Country: Colombia | Director: Federico Nieto | Duration: 24:46. Federico Nieto (Colombia). Web: efenibot.blogspot.com

AVANCE

Control de cambios (2024) - Hanzer González Garriga.

Created from a 1982 postcard explaining to Cuban parents how to put gas masks on their children in the event of biological warfare against the US. This piece explores the state of fear as a lens through which to explore experiences.
Year: 2024 | Country: Cuba | Director: Hanzer González Garriga | Duration: 04:00. Hanzer González Garriga (Cuba). IG: @delmonteproducciones

AVANCE

Estación páramo (2024) - Manuel Vélez-Arboleda.

Set in a dystopian future where planet Earth is no longer a friendly place for the human race. After her mother’s death, the protagonist must decide whether to stay or go out to die, embarking on a journey to find other human beings on the planet.
Year: 2024 | Country: Colombia | Director: Manuel Vélez-Arboleda | Duration: 16:00. Manuel Vélez-Arboleda (Colombia). IG: @manuvelezarboleda

AVANCE

Saarvocado (2025) - Víctor Orozco Ramírez.

An essay on war and the forest. The director recounts his life in Saarland, Germany, surrounded by a beautiful and exotic environment, similar to a painting. However, on a walk, he finds a bunker, revealing the beasts that lurked among the happy trees.
Year: 2025 | Country: Germany-Mexico | Director: Víctor Orozco Ramírez | Duration: 07:55. Víctor Orozco Ramírez (Germany-Mexico).

AVANCE

Canción de cuna para arrullar a mi hijo con la esperanza del mañana (2024) - Fernando Maia da Cunha.

Based on photographs of his exile in Albania during the Brazilian military dictatorship, the author creates an invented fiction as a shield against trauma. Silence transforms into a song, and memory into hope.
Year: 2024 | Country: Brazil | Director: Fernando Maia da Cunha | Duration: 04:00. Fernando Maia da Cunha (Brazil). Web: fernandomaiadacunha.com | IG: @fernandomaiadacunha

AVANCE

Plegaria Eterna (2025) - Pablo Magne y Teresa Luna.

Where history collapses, sound and image stand as vectors of introspection and resistance. The work conceives both languages as a perceptive field where the ancestral chant of the Qom people of the Argentine Gran Chaco and contemporary sound design merge, exploring repetition as political resistance and a plea that transcends devastation.
Year: 2025 | Country: Argentina | Directors: Pablo Magne and Teresa Luna | Duration: 09:51. Pablo Magne and Teresa Luna (Argentina). Web: pablomagne.com

AVANCE

¿Cómo van a sobrevivir? (2025) - Juliana Arruda.

Dives into the delicate relationship between memory, affection, and nature, taking as a starting point the bond with a flamboyant tree planted by the artist’s mother. It evokes a time when large cities allowed us to see the stars and hear the symphony of birds, to question the speed of contemporary society and environmental destruction.
Year: 2025 | Country: Brazil | Director: Juliana Arruda | Duration: 03:23. Juliana Arruda (Brazil). Web: juarruda.com.br

AVANCE

Chiminigagua (2023) - Otro mono más.

Animated short film aiming to safeguard the memory and identity of the Muisca culture. It features a narration in the native language and aims to deliver a message of belonging for our territories and ancestral knowledge, bringing to light a culture buried over time.
Year: 2023 | Country: Colombia | Director: Otro mono más | Duration: 01:59. Otro mono más (Colombia). IG: @otromonomas

AVANCE

Ciclone (2025) - Valéria Mendonça.

A genetic test reveals unknown geographies inscribed in the body. Using an archive of women’s images, the film imagines a universe of island-bodies and continent-bodies, crossed by memories of encounters, violence, exiles, and displacements.
Year: 2025 | Country: Brazil | Director: Valéria Mendonça | Duration: 03:28. Valéria Mendonça (Brazil). IG: @vamendonca

AVANCE

Kitchikouar (II) (2025) - Havstracto.

The project reflects on the effects of contemporary extractivism, the advance of the salmon industry, glacial melting, and the forced transformations of southern ecosystems, proposing a non-linear and contemplative audiovisual narrative where technology mediates between memory, landscape, and perception.
Year: 2025 | Country: Chile | Director: Havstracto | Duration: 02:13. Havstracto (Chile).

AVANCE

SURVIVALS

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

CREATING NETWORKS

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE

Snakes (2024) by Jean-Michel Rolland - France

Snakes is part of Body Limits, a series of 12 works that use performative videos found on the Internet. The multiplication of bodies and the transformations applied to color and speed turn these videos into works of video art that question the boundary between figuration and abstraction.
The original soundtracks have been preserved. Slowed down to the same speed as the image and enriched with various effects, they contribute to the aesthetics of these détournements, or appropriations.
The body, pushed to its limits, transcends itself to give life to new representations of physical activity.

AVANCE