{"id":988821,"date":"2026-04-06T17:08:20","date_gmt":"2026-04-06T22:08:20","guid":{"rendered":"https:\/\/festivaldelaimagen.com\/rediseno\/?page_id=988821"},"modified":"2026-04-06T17:09:30","modified_gmt":"2026-04-06T22:09:30","slug":"rodrigo-azaola","status":"publish","type":"page","link":"https:\/\/www.festivaldelaimagen.com\/?page_id=988821","title":{"rendered":"Rodrigo Azaola"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"988821\" class=\"elementor elementor-988821\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1889a99 e-flex e-con-boxed e-con e-parent\" data-id=\"1889a99\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-33251eeb e-con-full e-flex e-con e-child\" data-id=\"33251eeb\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"vamtam-has-theme-widget-styles elementor-element elementor-element-3cfaa905 elementor-widget elementor-widget-heading\" data-id=\"3cfaa905\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h6 class=\"elementor-heading-title elementor-size-default\">Bio<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-630ed856 elementor-widget elementor-widget-text-editor\" data-id=\"630ed856\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Rodrigo Azaola investiga las estructuras financieras contempor\u00e1neas y sus repercusiones sobre las entidades biol\u00f3gicas y la temporalidad humana. Su cuerpo de obra m\u00e1s reciente Impunity Landscapes (2019-24) est\u00e1 conformado por seis instalaciones centradas en el crimen como herramienta de mediaci\u00f3n financiera. Su trabajo ha sido recientemente expuesto en gr_und (Berl\u00edn), NeMe (Limassol), Zentrum f\u00fcr Kunst und Urbanistik (Berl\u00edn), La Chaufferie (Montreal), Video Art Miden (Kalamata), \u00c9cole Sup\u00e9rieure d\u00b4Art et de Design d\u00b4Orl\u00e9ans (Francia), Cit\u00e9 Internationale des Arts (Par\u00eds), Cairo Video Festival (Egipto), International Video Art Festival (Mosc\u00fa), Marais Festival (Par\u00eds) y C3 Contemporary (Melbourne). Entre otras distinciones ha sido miembro del SNCA en medios alternativos (2020-2023) y artista en residencia en Mabini Projects (Manila), Treasure Hill (Taipei) y Takeover (Beirut).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-292f631a e-con-full e-flex e-con e-child\" data-id=\"292f631a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3c887553 elementor-widget__width-inherit elementor-widget elementor-widget-image\" data-id=\"3c887553\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"447\" height=\"536\" src=\"https:\/\/www.festivaldelaimagen.com\/wp-content\/uploads\/2026\/03\/rodrigo-azaola.png\" class=\"attachment-large size-large wp-image-988351\" alt=\"\" srcset=\"https:\/\/www.festivaldelaimagen.com\/wp-content\/uploads\/2026\/03\/rodrigo-azaola.png 447w, https:\/\/www.festivaldelaimagen.com\/wp-content\/uploads\/2026\/03\/rodrigo-azaola-250x300.png 250w\" sizes=\"(max-width: 447px) 100vw, 447px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Eloquent portraits capturing the essence of diverse beauty.<\/p>\n","protected":false},"author":1,"featured_media":15865,"parent":4604,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-988821","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/pages\/988821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=988821"}],"version-history":[{"count":4,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/pages\/988821\/revisions"}],"predecessor-version":[{"id":988825,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/pages\/988821\/revisions\/988825"}],"up":[{"embeddable":true,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/pages\/4604"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/media\/15865"}],"wp:attachment":[{"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=988821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}