{"id":988566,"date":"2026-04-06T12:43:34","date_gmt":"2026-04-06T17:43:34","guid":{"rendered":"https:\/\/festivaldelaimagen.com\/rediseno\/?page_id=988566"},"modified":"2026-04-06T12:45:40","modified_gmt":"2026-04-06T17:45:40","slug":"krzysztof-garbaczewski","status":"publish","type":"page","link":"https:\/\/www.festivaldelaimagen.com\/?page_id=988566","title":{"rendered":"Krzysztof Garbaczewski"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"988566\" class=\"elementor elementor-988566\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1889a99 e-flex e-con-boxed e-con e-parent\" data-id=\"1889a99\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-33251eeb e-con-full e-flex e-con e-child\" data-id=\"33251eeb\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"vamtam-has-theme-widget-styles elementor-element elementor-element-3cfaa905 elementor-widget elementor-widget-heading\" data-id=\"3cfaa905\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h6 class=\"elementor-heading-title elementor-size-default\">Bio<\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-630ed856 elementor-widget elementor-widget-text-editor\" data-id=\"630ed856\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Krzysztof Garbaczewski es director de m\u00e1s de 40 producciones teatrales y fundador de la *Dream Adoption Society*. Garbaczewski utiliza el teatro como medio para explorar cuestiones existenciales y expandir los l\u00edmites de la experiencia humana. Desde 2017, ha desarrollado un nuevo lenguaje teatral que incorpora entornos virtuales en 3D, avatares, escenograf\u00edas digitales y actores en vivo. Su enfoque innovador crea experiencias de realidad mixta meticulosamente elaboradas, tanto para plataformas en l\u00ednea como para audiencias presenciales. Combinando elementos tradicionales y digitales, Garbaczewski ofrece experiencias inmersivas \u00fanicas que desaf\u00edan las normas teatrales convencionales e invitan al p\u00fablico a participar en narrativas interactivas y vanguardistas.\u00a0<\/p><p class=\"\" data-start=\"0\" data-end=\"13\"><strong data-start=\"0\" data-end=\"13\">Cr\u00e9ditos:<\/strong><\/p><p class=\"\" data-start=\"15\" data-end=\"90\"><strong data-start=\"15\" data-end=\"48\">So-Called Humanity in Madness<\/strong><br data-start=\"48\" data-end=\"51\" \/>por Dream Adoption Society &amp; CultureHub<\/p><p class=\"\" data-start=\"92\" data-end=\"875\">\u00bfLa inteligencia artificial le teme a la humanidad, o es la humanidad la que teme a la inteligencia artificial? Una obra teatral perdida hace mucho tiempo vuelve a la vida\u2014no a trav\u00e9s de viejos manuscritos polvorientos, sino mediante la inteligencia artificial.\u00a0<em data-start=\"354\" data-end=\"385\">So-Called Humanity in Madness<\/em>\u00a0es una experiencia teatral alucinante que fusiona tecnolog\u00eda de vanguardia con una narrativa experimental, inspirada en la visi\u00f3n radical de Stanis\u0142aw Ignacy Witkiewicz, artista y fil\u00f3sofo polaco obsesionado con el absurdo de la existencia. Pero, \u00bfqu\u00e9 sucede cuando una IA intenta recrear una obra maestra sobre la locura y la naturaleza humana? \u00bfEstamos viendo la obra o estamos atrapados dentro de ella? Atr\u00e9vete a entrar en un mundo donde la realidad, la ilusi\u00f3n y el c\u00f3digo colisionan.<\/p><p class=\"\" data-start=\"877\" data-end=\"1068\"><strong data-start=\"877\" data-end=\"891\">Direcci\u00f3n:<\/strong>\u00a0Krzysztof Garbaczewski<br data-start=\"914\" data-end=\"917\" \/><strong data-start=\"917\" data-end=\"941\">Guion y dramaturgia:<\/strong>\u00a0R\u00e9becca Pierrot<br data-start=\"957\" data-end=\"960\" \/><strong data-start=\"960\" data-end=\"974\">Mundos VR:<\/strong>\u00a0Radomir Majewski, Maciej Gniady<br data-start=\"1006\" data-end=\"1009\" data-is-only-node=\"\" \/><strong data-start=\"1009\" data-end=\"1022\">Avatares:<\/strong>\u00a0Marcin Kosakowski<br data-start=\"1040\" data-end=\"1043\" \/><strong data-start=\"1043\" data-end=\"1054\">M\u00fasica:<\/strong>\u00a0Qba Janicki<\/p><p class=\"\" data-start=\"1070\" data-end=\"1208\"><strong data-start=\"1070\" data-end=\"1081\">Elenco:<\/strong>\u00a0Mattie Barber-Bockelman, Billy Clark, R\u00e9becca Pierrot, Krzysztof Garbaczewski<br data-start=\"1159\" data-end=\"1162\" \/><strong data-start=\"1162\" data-end=\"1177\">Producci\u00f3n:<\/strong>\u00a0Asher Remy-Toledo &amp; Hyphen Hub<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-292f631a e-con-full e-flex e-con e-child\" data-id=\"292f631a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3c887553 elementor-widget__width-inherit elementor-widget elementor-widget-image\" data-id=\"3c887553\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"447\" height=\"536\" src=\"https:\/\/www.festivaldelaimagen.com\/wp-content\/uploads\/2026\/03\/krysztof.png\" class=\"attachment-large size-large wp-image-988411\" alt=\"\" srcset=\"https:\/\/www.festivaldelaimagen.com\/wp-content\/uploads\/2026\/03\/krysztof.png 447w, https:\/\/www.festivaldelaimagen.com\/wp-content\/uploads\/2026\/03\/krysztof-250x300.png 250w\" sizes=\"(max-width: 447px) 100vw, 447px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Eloquent portraits capturing the essence of diverse beauty.<\/p>\n","protected":false},"author":1,"featured_media":15865,"parent":4604,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-988566","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/pages\/988566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=988566"}],"version-history":[{"count":4,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/pages\/988566\/revisions"}],"predecessor-version":[{"id":988571,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/pages\/988566\/revisions\/988571"}],"up":[{"embeddable":true,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/pages\/4604"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=\/wp\/v2\/media\/15865"}],"wp:attachment":[{"href":"https:\/\/www.festivaldelaimagen.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=988566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}